Six Plays of Strindberg - August Strindberg

The recently concluded Bangalore Theater Festival, staged Stindberg's master piece Miss Julie, performed by an amateur troupe from Delhi. The book was with me for over a month and I thought this was the right time to read Strindberg. Unlike some of the older play you read, what impresses one with these plays are its relevance despite a century passed since they were originally written and staged. This is my first read of strindberg and I guess, these are the best and essential reading of Strindberg.

Six plays in this collection are written between 1887 and 1907 , reflective of his progress as a writer. Though all the plays are good, I was deeply impressed with 'Easter' and 'The Father'. Influences of "Expressionism" and "naturalism" of the 19th century artistic concepts are evident in his plays.

Both 'The Father' and 'Miss Julie' work around the 'battle of sexes' theme, where the feminine gender perceived to be taking upper hand often in the negative shades. In 'The father' we see the husband and wife trying to take control of the life of their only daughter. husband wants to send his daughter away fo rhigher education and the progressive way of living. Fearing , she will loose the hold on her daughter, the wife conjures up plans to scuttle his decision playing around the basic nature of the husband-wife relationship. Her attempt to protect her authority goes as low as creating doubt in his mind about the parentage of the child. She even manages to work around the rest of the crew in making them believe about his mental state and manipulate every one, In then end the father succumbs to the loss of his daughter, his pride and his senses dropping dead with a  heart attack.

Miss Julie, again work on a similar theme. Miss Julie, heir apparent of a wealthy baron, uses her charm to to work her magic with her valet. In her attempt to shake off from the monotonous life and add little fun, she dances at the servants midsummer eve with Jean. The play act get serious with she following him into the kitchen, where Jean's fiancee Christine is cooking. The politics of power thus play out between the trio. For Julie, being the upper class and daughter of the count, has power and control over the others. Jean on the other hand has the male authority over the rest, but also learned through his wide travel across Europe. Christina and Jean are also free from the prejudice of the upper class. The battle for superiority, in subtle form continues through out the night which began with flirtation progressed into a love affair. In the end, unable to shackle out of the maze of existence, the only way out suggest was the suicide of Julie.

Stronger a one-act play is loosely based on his own experience. At the time of writing this play, it wsa said that he was having an affair with a 17 year old actress, while entertaining another two love relationship. However, his wife seems to have stood by him through out this and at the end of each affair he returned back to her. Madame X, middle aged lady trying to save their marriage, by working it out with Mademoiselle Y. A play starts with cordial interaction between two ladies, changes into a powerful monologue of anger, hate and desperation by Madam X, at the end of which she thanks Y for teaching her husband to love.

Starting on a Maundy Thursday through to Easter Eve, "The Easter" goes through the despair and hope of a family riddled with debt , whose future is in the hands of the vicious creditor. To add to their woes, the mentally unstable sister comes back from the sanatorium. As the days progressed, the changes and hopes in their life is visible through the changes in the external world. Winter is over and the ice is melting. Sun is slowly seen in the outside and autumn is setting in. The day of crucification (his father was arrested and jailed for false crime) to the day of resurrection is obvious. To me this setting and the indirect , very subtly symbolic expression of hope was the highlight of the play.

A dream play was very different from the rest. Daughter of Indra ( the leader of Gods as per Hindu Mythology) comes to earth to understand and experience the human predicament. "because I want to know about human being and life-to find out if it is really as hard as they say".  Indra agrees:

Descend and see, and hear, then come again

and tell me if their lamentations

and their complaints are justified

Through several encounters and experiences, she tries to learn and understand the human conditions before returning to heavens. The characters are symbolic and depicts various facets of life. There are people representing various professions and believes, people in different social structure. As is the performance, the characters emerge, dissolve change shape in accordance to the scene.

The Ghost sonata, an experimental play is much more complex in nature. An accidental encounter of a student, who apparently performed a brave deed, with an old man changes their lives for ever, On the invitation from the Old man, he accepts to attend the dinner at the colonels residence where he meets a hoard of characters each expresses their life experiences. It is here he realises, after falling in love with the colonel's daughter, that he has ended up in a dead house. I guess, there could be various interpretations and understanding of this play. I could also sense some continuation from 'the Easter' in few characters and schemes.

Phenomenal set of plays from one of the masters of modern theater. The eternal relevance of his theme makes these play enjoyable even after 100s of years.

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Six Plays of Strindberg ( The Father(1887), Miss Julie( 1888), The Stronger(1889) , Easter(1900), A Dream Play(1901), The Ghost Sonata (1907) )

August Strindberg ( translated from Swedish by Elizabeth Sprigge 1955)

Anchor Books

304 Pages
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http://www.theaterpro.com/Strindberg.html

1857: The Real Story Of The Great Uprising - Vishnu Bhatt Godshe Versaikar

The Uprising in the year 1857 , triggered by the Indian soldiers under the British Army, later supported by few kingdoms in the mid-north of India is considered as the first 'organised' struggle for Independence against the British Rulers in India, by many historians. More widely known as "Sepoy Mutiny" in the school history books are known to every Indian student. The names Nana Sahib, his deputy Tantya Tope and the legendary Queen of Jhansi, Lakshmibai are few heroes in the freedom struggle in the 19th century.

While the history text book gives us the story of these leaders and the struggle in detail, they are all have been the result of various studies and set to appease the Indian masses. Here is more closure account ( though I refrain to say accurate) of the events as they are unfolded to the traveller in those part of India during the turbulent times.

Vishnu Bhatt, a poor Maharashtra Brahmin, undertake a journey to the North (Hindi speaking areas) with his uncle, to participate in few religious ceremony at the rich and rulers thus earn some money to help the staggering debts that the family endure at the point of time. Little did he know that nhe is going to witness one of the most significant milestones in the history of India. With a promise to his weeping wife and brother that he will return within an year, the eventful journey took him nearly three years to retun back home safely.While Vishnu Bhatt did not participate in the struggle directly, he was also been part of the receiving end more than a couple of times, by the victorious British soldiers, and been mugged on a few occasions by the thugs on his way.

What is important to us is that he documents ( from memory and after 24 years of the events) the journey and the actions as he is witnessed to the rest of the world. As it is already known, the revolt started after the roumer that the new ammunition and guns procured and distributed by the British Army to the soldiers ( of Indian Origin) are "greased with cow fat and lard from Pigs". This agitated both the Hindu and Muslim soldiers for respective reasons, and the thought that "this was a deliberate ploy by the cunning white rulers to first get them to disgrace and pollute themselves by breaking the religious taboos and after they had been debased and cast out of their religion, to try and convert them to Christianity". However, the Britishers did not understand the reason of resentiment by the soldiers and they were pressed and forced to take up these arms. Refusal was treated with harsh punishment. The collective sentiments against this caused the uprising, at various part of the country starting at Meerut, Kanpur and Calcutta.

Large number of soldiers left the barracks and were wandering in the vastness of the region, who was looking for a leader to guide them. Tantya Tope, the ruler of Bisthur, thought it is his obligation to protect the religion and the state and was ready to lead the assault. The team had a few success initially, managing to defeat the white army at a couple of battles. As we are now aware, the trend soon reversed and eventually most part of North India coming under the control and rule of British East India company.

Jhansi rani Lakshmibai had different reasons to join the fight. The royal family deprived of a legal heir was refused permission to adopt a boy and thus to continue the regime. The king married thrice ( Lakshmibai being the third) died at an early age, leaving the kingdom at the hand of the resident British ruler. Being restricted to the inner circles of the palace, and having to obey the Britishers triggered the rebellion in the Queen, who soon declared herself as the ruler and started gathering troops. Joining forces with Tantya Tope and Nana Sahib, she continued the fight against the white leading the battle from the front, until her sad death in the battle.

Now, the book is not written as a history text. This could be called a travelogue or a memoir. He is not a 'qualified writer' and that reflects in the text and narration. While he was travelling in these part of the country, not every event is from the eye witness. Many are based on the hearsay by fellow travellers or people whom he meet. There are also evident of exaggeration of few numbers and amounts ( at least that is what I felt) and glorification of feats. Barring that, this is a good read and gives us the glimpses of the events from closure quarters.

Vishnu Bhatt is a keen observer and a listener. He is able to recall the events after many years to the precise details. He do not hide his admiration to the rulers and his meetings with Jhansi Rani and the other rulers are that of a typical brahmin looking for monetary favours and stomach full of delicious food. He also wanted to demonstrate his skilled and knowledge in religious scriptures and test himself against the scholars. He is also intelligent and calculative. His learning from the events and his analysis are very insightful and not that of the typical of the poor brahmin looking for daily food ( though he claims to be a wandering sadhu at many places).

He also captures some of interesting facts about Jhansi Rani, which are not seen much earlier. Rani likes to dres in man's attire ,trousers and jackets ( this was her attire during most of her battles) and used this as disguise while travelling in the country side. On the other hand, her husband likes to cross dress in woman's dress and spends great amount of time in the women's quarters.

Mrinal Pande's translation is worth mentioning. She claims to have translated this from the original text in Marathi and used the occasional reference to the earlier Sanskrit translations. The book reads with out much hiccups or difficulties to a non-hindi / marathi speaker and not using many of the local idioms. The language and style was maintained closure to the orignial ( to the kind of language and narration you see in the books from 19th century).
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1857: The Real Story Of The Great Uprising ( 1907)

Vishnu Bhatt Godshe Versaikar ( translated from Marathi by Mrinal Pande in 2011)

Harper Perennia

229 Pages

Rs 250
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Other reviews : Mumbai Boss , Pioneer

Confessions of a Thug - Philip Meadows Taylor

Thugs, or the Thugge culture was prominent in India for ages. 17th to 19th centuries were the prime time of their activities. India a vast land with very minimal public transportation, made their existence and survival easier. People travelling from one town to the other often taking the village roads, where subjected to their attack and loot, after being killed in a gruesome manner. Vast expanse of land and no means of communication and an absence of a single entity for law and order made it easy for them to escape the rare occasion of control. India having divided into numerous small kingdoms and the local feudal lords, had no way of consolidated efforts to nab them and bring them to justice. The fact that, they often operated underground, and the victims fate reached the concerned relatives( if at all) took too long, did not help in identifying and capturing them. It is also said that most of the small kingdoms fostered and nourished their own thuggees for both military and financial means.

When published in the year 1839, this book supposed to have taken the English reading population by storm. It was considered a huge success, even become a favourite book of the Queen of England. Philip Taylor had come to India as a clerk to a Merchant in Bombay, later joined the services of Nizam of Hyderabad. During the famous hunt for the Thugs, where he was the clerk in the commission of their capture and punishment, Taylor used the knowledge to write them to "to expose, as fully I was able, the practice of the Thugs and make the public more conversant with the subject" and not to "gratify a morbid taste in any one for tales of horror and of crime".

It was in the first half of the 19th century , a formal effort to bring an end to this was organised under the the East india company. The statistics shows that they were largely successful. From the year 1831 to 1837 , a Total number of 3266 thugs were caught and sentenced to various punishments ( transported to Penang, killed, imprisoned etc). While this has reduced the intensity of the attacks, the system continued to live clandestinely into the 20th century. Improvement in the public transport and the increased control over the territory by the British Empire, would have reduced their freedom of operation.

Taylor, writes this books are a recollection of Ameer Ali ( modelled after one notorious Thug, who was captured by the British and later turned himself as an approver and informer), as he goes through his life story to his capturer. Ameer, who boasts of committing 719 murders in his lifetime ( "Ah! sir, if I had not been in prison twelve years, the number would have been a thousand"). Ameer's life begins with the Thuggees after he was rescued in one of the attacks and was brought up in the family of Ismail, the leader of the gang based out of Sheopoor, some where in the central part of India. Brought up away from the Thugee culture until he was ready to take oath, Ameer Ali was trained traditionally on the use of weapons and other means of self protection. His early recall of adventure was killing a tiger attacked his village, and that prompted his father to enroll (!) him into the Thuggee gang. His first expedition after being included into the grand gang, included one murder by himself. The murder performed by thugs has the ritualistic order. It is bloodless, using a 'roomal' (hand kerchief), chocking the prey with their grip, thus preventing any noise being heard. They practice the usage of kerchief on animals as part of their induction, before set to use on their victims. They seldom use spears and swords, unless being attacked, even though they are well trained in their use.

The method of thugs are fairly common and simple. They befriend one of the travelling business man , often joining their expedition( for want of a large team to prevent attack) and on appropriate time and location, kill them and take their booty. The dead bodies are buried deep underground with suitable camouflage and safety and continue their journey until they find their next victim. A good thug, then has to be good at identifying, using his charm and words to lure them into the expedition and be cunning enough to find the time and place to finish them off. Women and children are omitted form the murder , albeit occasionally, this rule is broken. The leader is obeyed and there is no scope for rebel in a group. Most of the time, they survive without any loose of their own men, unless the opponents are equally or adequately equipped.

Thuggees belongs to cross religious and cross linguistic origin. In a group, such as the one headed by Ameer ali, has people of Hindu and Muslim faith. Irrespective, the group follow and worship Goddes Bhavani (a form of Durga, Kali - pronounced as 'bhowanee' in the book ) and takes her blessings before each expedition. They also seek omen and set forth only if the omens are right. The rituals and the proceedings are followed with precision. The way of murder, the selection of place, the way the bodies are buried after they are undressed and ornaments are removed et al. The whole affair is executed with precision and with utmost conviction, as there is no room for any second thoughts or remorse.

Ameer Ali, the protagonist himself was a victim of Thugee attack, though he is not aware of it. His father and mother was brutally murdered by the gang where Ismail, his foster father, was involved. Ismail, married for long and still childless, took pity on the young boy and take his to his family, against the wishes of the others in the gang. It was only during his parting comments to his son, prior to his execution, he reveals that to his son.

545 pages of repeated conning , plotting and executing one murder after another isn't a happy read. Except towards the end, where Ameer Ali looses his own family and his fathers execution, we don't see any humane values or discussion through out his narrative.

Taylor shows absolute clarity of India's vast geography ( the direction, naming places and  kingdoms ) and and the various cultural and class issues. The use of Hindi, Urdu and Arabic phrases, which are common among the Muslims was very impressive (The end of the book provides the glossary and meaning of these words). On the socio - political angle, the book also reveals the increasing influence of the British East India Company in India, as region after regions are turned under their direct control, or through the kingdom, they are able to associate with. We can see the changes through the narrative of Ameer Ali, as he says more and more places they are subjected to inspection by the 'Angrez' (Britishers).

The style and prose are similar to the other nineteen century novels, and notwithstanding the nature of the book and the subject dealt with, it is relatively an easy read. In all, it is an interesting insight to the once prevailed thuggee culture, but not a pleasant reading experience.

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Confessions of a Thug ( 1839 )

Philip Meadows Taylor

Rupa & Co ( reprint )

547 Pages

Rs 295

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Read these for more : Ambiguity and historicism: interpreting Confessions of a Thug, SF Reviews

The Government inspector ( Play) & Five stories - Nikolai Gogol

Chanced upon an old book published by Raduga Publishers (when the erstwhile USSR had an influence in these parts of the world ), with a relative of mine. Interesting combination of one of the famous play ( The Government inspector) and five of the popular short stories of one of the most popular writer in the 19th century Russia, Nikolai Gogol ( along with Pushkin and  Checkov ).

The Government Inspector, written in 1834, is supposed to be written after an anecdote by Pushkin, takes on the St.Petersburg aristocracy and the government machinery in general under the Tsar's rule.  After the first performance of this play in 1836, the Tsar Nicolas I, supposed to have commented "Hmm, what a play! Gets at everyone, and most of all at me!"

A remote town bureaucracy, is shaken one day by the news that a government officer under disguise is arriving in the town. The clandestine operation, the feared, is to witness and report the corruption and wrong doings of the officials to St.Petersburg. The who and who, of the bureaucracy under the leadership of the local mayor had an emergency meeting to take the necessary steps, to welcome the unknown visitor. This includes, hiding their petty crimes of corruption, cleaning up of the town, making sure that the prominent places like the jail, the school, the local hospital , the court etc are in clean and presentable.

Soon, it was reported by two local land owners ( Dobchinsky and Bobchinsky) that the local inn have a distinguished guest, with suspicious behaviour. They have concluded that , he is the inspector, and a delegation under the leadership of the Mayor goes to receive him. The guest, Ivan Alexandrovich Khlestakov, a St.Petersburg clerk is having a tough time with the inn-keeper, for not having paid any money for this stay and food so far. The inn-keeper refuses to feed him and threatens to take action. To this scene comes the Mayor and team. On Mayor's insistence Khlestakov, agrees to stay in the house of the Mayor as his official guest. Having realised that he was mistaken for some senior official, he decides to play along and make merry. In the brief time in the house, he manages to collect a large sum of money from various people, flirts with the Mayor's wife and daughter ( promising to marry her) , and fled the place taking the best horses available.

The five short stories collectively called as "St.Petersburg Stories". Like the play above, here too, Gogol focussed his satire on the St,Petersburg society.   Nevsky Prospekt talks about the glitter and glamour of uptown St Petersburg and the temptation of two youths. Piskareve, a young artist, falls in love with a beauty who turns out to be a prostitute. He commits suicide in the end. While Pirogov, the lieutenant survives his life after his love with a German immigrant, only to be despatched by her husband.  Second story 'The Nose' is  absurd and funny. Collegiate Assessor Kovalev, realises one morning, that he has lost his nose. The place where it belonged, is now empty and ugly. His attempts to find out and get the nose back in its place is the event of the story. Kovalev, has seen the nose walking on the streets and he failed to collect him and get him on its original place. His attempt to put an advertisement in the herald was rejected, for the fear of public by the editor, his attempt to file a complaint at the authorities was also failed. In the meanwhile, his barber finds the nose, in his soup the same morning. He was unable to recollect any incident while shaving him the previous morning. 

The Great coat and the Portrait are the best of the stories.  Akaky Akakievich Bushmachkin, is a short man, and is the target for his colleagues jeer and ridicule. All day he sits at one place in the office and copy papers. His only materialistic need is to have a new coat. His existing coat is so old and worn out, that the threads are not able to hold together. his tailor refuses to fix the coat saying any attempts to correct this will only make things worse. He suggest that a new coat be made.  So, he starve and collect money from his meagre earning and finally the coat is made. His happiness was short lived as he was robbed of his coat. His desperate attempt to seek help from the authorities failed as "the important personage" was not willing to listen. Despair and cold lead to his death. Poprischin, of Diary of a madman , is like the characters of the other stories, is poor and insignificant. But he wonders why there is so much unjust in this world. Why is all the good things goes only to the generals, he asks. This in fact is the crux of Gogol's writing. Gogol, looks at things from the poor man's angle and uses his writings to ask the questions to the society and the authorities.

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The Government Inspector & Five Short Stories ( 1834-1840)

Nikolai Gogol  ( translated from Russian by Christopher English & Gordon McDougall )

Raduga Publishers , Moscow

318 Pages

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