Saturday, November 19, 2011

The Door - Magda Szabó

I heard this name in one of the discussion about Hungarian Literature. Only four of her books have been translated to English and only this book is currently available in print. What impressed me about her writing is the the intelligence and the command over the style and language . It is not easy to write about a domestic affair into a full length novel and be successful about it. The other I can think of is the Spare Room by Helen Garner.

A young writer, struggling with her priorities as a writer and her home responsibilities, hires a domestic help on recommendation from a friend. ,Emerence to her physical appearances of tall lady with broad shoulders and erect posture ("powerfully built for a person of her age, muscular rather than fat, and radiating strength like a Valkyrie”), turn out to be a hard talking stubborn, at time no respect for the means and ways of her employers and even sound a bit crazy. As it is the case in Hungary and elsewhere in Europe I guess, she has the authority to appear at her convenience and finish the work. It took less than a week for the employers to realise the real character of her.The initial apprehension slowly turned into admiration for the lady for her hard working ways and no nonsense approach. "She made demands, more than I had expected, but she also gave a lot," The interdependency grew as the time progresses, with both making adjustment to each other. However, any attempts to get closer to her is reciprocated with a strong rejection. She stays alone and the only connection she seems to be having with the external world is her nephew who visits her once in a while. Even he was only received outside her house and the door to house ( and life) was shut to every one.

The strange love-hate relationship between the writer and Emerence continued for over 20 years with many incidents in their life. The writer, now learnt to appreciate the differences, tries to understand and alanyse the person whom she has observed from close quarter. Behind the idiosyncrasies and the solitary living , has a body and soul that endured sufferings of a life time. It is through the bits and pieces of information that she gathers, the previous life of Emerence , emerge ( albeit in patches) to the writer and us. The tragic death of her siblings, the resulting suicide of her mother,mostly obvious death of her father during war, her job as domestic help at an early ages of fourteen are unveiled in front of us as a fairly tale. Her previous employers a Jewish family leave every thing behind to the care of Emerence including their daughter Eva during the years of War. To the promise to them , she keeps every thing that were entrusted to her with utmost care waiting for their return. She even had to suffer her reputation to protect the girl. Except fot the dog Viola and the 9 cats she grow inside her closed house, none seems to understand her, and any attempts were blocked by her unfriendly behaviour.

The story takes a definite turn with her illness and her stubbornness against getting medical admission. As the pressure mounted, she shut herself inside her house, only after regulating her will and the works that needed to be complted by individuals in the event of her death. The attempt to break into her house and "rescue" her to the medical help seems to be a violation of the understanding. When the only person who could convince her , the writer herself, failed in that duty, and the smell of decay and human excrete become unbearable, the authorities broke into her house, with the help of the writer. Emerence responded strongly to the breach of trust by refusing to even look at her let alone talk to her. Feeling guilty and tormented for the cause of her death, Magda Szabo, brings out one outstanding work of fiction to the readers. In an interview published in Hungarian Daily, Magda Szabo confirms that every thing that is described in the book had happened in real life. "Yes, literally. The model for Emerenc was my housekeeper, Juliska. Everything is true, including the dog Viola, who died here in my flat at the age of fourteen."

Brilliantly written, very articulate and measured in her writing, always poised and diligent in her narration Magda Szabo appears to be a very sensible and intelligent writer. The portrait of Emerence is balanced not to get carried away by the melodrama of the affairs. Towards the end one is left stunned by the quality and sustenance of her prose in style and substance. Insightful novel about the intimate relationship ( or the lack of it , thus the book) between a young writer and her domestic help by one outstanding writer.
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The Door ( 1987 )
Magda Szabó ( Translated from Hungarian by Len Rix)

Vintage Books

262 Pages
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More read : Guadian, A Common Reader, Independent , Blogcritics, Wiki Entry

Saturday, November 12, 2011

Buying a Fishing Rod for my Grandfather - Gao Xingjian

I have read his novels as they were available in India soon after he won his Nobel for Literature. I always wondered about his selection as a candidate for Nobel Prize, with only a couple of major works available. It is only recently, I could get a copy of his short stories, which are originally published in China before his exile. A collection of 6 stories, specifically chosen by the author himself , originally published in Beijing before he moved to France , says the translator in the introduction.

There are not stories per se, these are more notes and observation of trivial things happening in our daily life. Each of the six stories are short in time frame, but have a large picture of the social set up. The canvas is present and is visible to the observer. The narrator in each of the story is one who either participate or witness the event , trivial in most of the cases, takes place. It is through these visuals, Xingjian gives us the glimpse of the society.

The Temple, first story of this collection talks about a newly married couple on their honeymoon, decides to step down from the train in an unknown station only to create some adventure to their trip. Having understood that this town , typical to any other town, does not boast any attraction except for a temple on top of the hill. "In the park" , written as conversational piece, has two middle aged man and women ( likley lovers prior to their marriage and family) meets in a park and talking. They observer a young lady in one corner of the park crying. They contemplate and debate about the causes of her depression and about helping her. They probably see their own past and the lost opportunity in the troubles of the young lady. Xingjian do not provide any solution, neither does he conclude. We never know the reason of the lady crying, nor whether the middle aged couple managed to shake off their current life and re-unite.

A swimmer developed cramps and nearly drown in the sea at an unnamed resort, barely managed to escape. In his return to the hotel in all excitement to announce the news of his miraculous escape, he find no one interested in him. He wanted to live desperately and to be with the rest of the world. He finds that his escape and excitement does not matter to anyone and the loss of an individual goes unnoticed in this world. As he walks back to the shore dejected, the writers takes our views to a couple of boys running to the water leaving behind a crippled girl on the shore.

"The Accident" tracks the similar line. an accident involved a father and son in a crowded street and its after maths to the street ( note: not to the family) and its momentary occupants. The government machinery goes through the pre-determined process including shifting the body to the hospital, removing the debris and even cleaning the road and the blood stains. The world here has come back to what it was a while ago. "Of Course a traffic accident can serve as an item for a newspaper. And it can serve as the raw material for literature when it is supplemented by the imagination and written up as a moving narrative: this would then be a creation.

The story that bears the title of this collection is about a mans buying a fibre glass fishing rod for his grand father, who we ( the reader) realise later had died long ago. He wants to keep the rod away from his son, for fear of damage, and plans a trip to his ancestral village and realises ( the whole thing is in a delirium) that the place and the world has changed beyond recognition and he will be in no position to find the house and streets he grew up with. Whether he takes up the journey in real sense or not, he takes up an emotional journey through his past and the days with his grand father bringing him close to the place he wanted to be.

Nothing extra ordinary happens in any of the stories, What is impressive and catches your attention is the ease at which he is able to create an atmosphere of familiarity and thus the triviality. I found 4 of these stories very interesting, portraying the loneliness of the individual and the near zero value and impact of him in this vast world.
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Buying a Fishing Rod for My Grandfather ( 2004 )

Gao Xingjian ( translated from Chinese by Mabel Lee 2004)

Harper Perenniel

127 Pages
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Other Reviews : January Magazine, Guardian, Pop Matters, Wiki Entry

Saturday, October 29, 2011

9 - Susmesh Chandroth

Deepak, retuning back to the place of his growing years after a gap of 9 years, to attend the funeral and last rights of his maternal grand father. Unable to adjust to the new found closeness and the extra affection from his relatives, he decides to stay in a guest house post the funeral for a few days of retreat. The next 9 days, until he returns to the family home to do the post funeral ceremonies, he decides to stay out of his busy schedule as a fashion photographer in Chennai, away from the crowd , away from the girl who lives with him in Chennai. This sets the book for next 200 pages of his nostalgic remembrance of his place.

From here, until the last few pages, Deepak reminisce about the life and times of the small town 'Thoovanam" in the high ranges of Western Ghats ( Idukki District of Kerala). From the history of early settlers and their descendants from Travancore to the new age materialistic progress of the place over the 30 years since 1970. You see various interesting characters appear through the narratives, often slipping away from the main thread ( of Deepak and his family and his childhood). You see street magicians, traders, farmers, ladies with dubious deeds and reputation, hunters and anti social elements, people who appear for 6 months and then abscond for the next six, the nature in its fury, the naxalites during the 70s, madmen et all. Deepak recollects various incidents that etched in deep sentiments in his young mind during his growing up  years. his own struggle with poverty, with ever wandering father and decaying family fortune of the grand father, despite his high standing social strata.

To me, all it talks is about the life in the high ranges through few individuals. They are described in detail through their life and death. While at few places the narration is very absorbing the story line is feeble and not very convincing. The protagonist is not one that remain with you after the reading. I haven't found anything that is extra ordinary in this book. Well, in the construct of a novel , this fails to impress me despite having some good writing at few places. It lacks in the story line, in the wholesomeness of a novel. Good writing alone does not make a good novel. No characters are rounded or near completion, they are all pedestrian in the narrative. They do not seems to have made any influence of the story. Both the beginning and end chapters are mediocre to say the least.

Susmesh Chandroth is a good short story writer and his first novel "D" have won the DC Books Novel Carnival award ( I haven't read that). But, this is not one of the books I recommend to others.
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9 ( 2008 )

Susmesh Chandroth

D C Books

Rs 120/-

223 Pages
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Sunday, October 23, 2011

To Bury our Fathers - Sergio Ramirez

It has been said that the trade of writing is the best in the world, though more ancient ones exist. Or perhaps not. The need to tell, and to be told, begins that magic moment in which someone is not content with the direct perception of the reality that surrounds him, and with his mind wanders beyond the real limits of his world, where what is visible ends and darkness filled with anxiety for the unknown begins.”  - Sergio Ramirez ,  lettre-ulysses-award


Sergio Ramirez is one of the leading figures in the Central American Literature. He was the Vice-President of the Nicaraguan Republic for over 15 years under the rule of Daniel Ortega. This book considered as a major work of fiction coming out of Central America. Written during 1973-1975 while he was in West Berlin, under a scholarship.

Sergio Ramirez takes us back to the years of 1930 to 1960 under the rule of Samoza ( 'el Hombre' as he is referred in the book) afte the fall and death of Sandino. The multi layered narrative follows the harrowing experiences of the revolutionaries often under arrest and torture and most of the times in exile at Guatemala or Honduras running away from the military. The 30 year period is too broad to detail, hence he is written tis book through the experiences of soldiers, revolutionaries, musicians, prostitutes, and other insignificant Nicaraguan people. However the theme circles around three friends, two of them initially part of the National guards and later defected. Jilguero, whose grand father contested the only election for the President of Nicaragua, won by huge margin only to have the election disqualified by el hombre. Larios ( known as Indio) was part of the national guard, who helped the colonel Catalion Lopez during one of the difficult period, only ot be paid back by treachery is now in exile at Guatemala. The along with Taleno ( son of a rich merchant joined the military academy and was part of the national guard , who was later arrested and was put in a cage near a tiger in the Presidental zoo. The threesome, gets their revenge later by kidnapping Colonel Lopez in Guatemala. On another thread we read the return of Larios' body from Guatemala to his home land by his son which could have been the reason for the name of the book. I understand the Spanish title " ¿Te dio miedo la sangre? " has a meaning "Were you afraid of the Blood".

The book moves through reminiscence of people, monologues or retelling of stories witnessed or heard by various participant in the present or past. In the end it all comes down to the struggle between the dictatorship of Samoza ,supported and financed by the US who control both economical and political fate of all of those tiny Central American republics. and Sandinista rebels( eventualy they won and formed a government under Daniel Ortega)..The narration does not have a flowing story line, its random and kaleidoscopic, taking the reader to a level of frustration.

One of the issue with the narrative is that it is presented jumbled up to the reader. For the intial pages it is very difficult to get t grip of the tale as the space and times are often intermixed with atleast 6 threads of narration are on. Without the help of the chronology at the end of the book I wouldnt have managed to get a hold of the narrative. This was helpful through out the reading, in order to get the time and place accurate, but on the otherside it was too distracting to the flow of reading. The story is summarised in the two paged preceding the chapter 1 and in the last 2 pages mentioned above. His style and language is impressive and the structure though confusing at first, once you have a grip , is good and engaging. However, the book lack in some sort of completeness. It does not have any definite conclusion, may be as intended by the writer. Nonetheless, a very intelligent work of fiction.
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To Bury Our Fathers ( 1977 )

Sergiop Ramirez ( translated from Spanish y Nick Caistor 1984 )

Readers International

249 Pages
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Saturday, October 22, 2011

Spy Princess : the Life of Noor Inayat Khan - Shrabani Basu

Typical persons you associate with a spy is what you see in movies. For most of them, I guess, the famous Mata Hari provided the benchmark/guidelines. I am not a great reader of spy novels and was apprehensive about this book, even though this is a biographical book. My fear was that the fictional or the element of glorification take the upper hand in the narrative. However, it wasn't so, at least evidently in this book.

Born to the royal lineage of the legendary Tipu Sultan, daughter of hindustani classical Musician Inayat Khan and his American Wife Ora Ray Baker in Moscow before moving into Paris, Noor had her initial schooling in French. The house full of musicians and Sufi sect followers ( her father was a Sufi Practitioner and teacher), she had an upbringing which were very unlike of the others of her generation. Her early years after the schooling began as a wrier. She wrote children's stories for French Magazines and had the famous Jataka Tales translated and Published into French. It was during this time she lost her father and the responsibilities of running the family fell on her as her mother withdrew herself into a solitary living confined to her room. These were the years of financial struggle for her. Just before the situation improved and they were back on their own foot, the war began. Germany with its ambition to conquer attacked France and annexed French Territory. Boor and her family like many other Paris residents, left home and were on the road. With some miracle, they entire family managed to escape to London and its here her new life started.

She was not some one who can pass as a spy. Fragile, very beautiful and vulnerable. Her only qualification was her training as radio operator, which she was fast. She made less errors. Her training process was long and she was given non favorable recommendations by almost every one who interviewed her or trained her. In the selection interview regarding a question about Indian Independence, she spoke in support of the Indian Leaders almost jeopardizing her selection. Her training period was also not so remarkable. She failed miserably at the mock drills/tests and practice interrogations ( her religious belief did not allow her to lie). The only positive in her profile was her ability as a radio operator and the hard work she put in apart from her proficiency in French.

After almost two years of training, she was asked to go to the action field. She and her colleagues were dropped in the French soil. She was asked to join one of the groups in Paris. The fate played spoil sport again. Within 10 days of her arrival , the entire team was in disarray after German's managed to crack through the squadron and arrest most of the senior leaders of the team. With no equipment to transmit and no leadership, she survived the days , slowly building up her service. the next 3 months, she was the only available radio operator in France working for the British and that put her in a difficult position. It was easy for the Germans to track her down through her transmission and that called for short transmission and constant shifting of her place. Wtih an equipment of that size, she managed to avoid the ever approaching Germans for almost 4 months supporting her bosses with information and holding position single handed.

She had a couple of narrow escape, but eventually by treason she was fallen into the hands of the Germans. Even under captivity she did not succumb to the pressure and never uttered any word that could be useful to the enemy. She made three attempts to escape the captivity, but failed in all. This put her under the category of 'dangerous prisoner' and she was treated with such hatred and was constantly kept chained even within her solitary cell. Even the long 8 months of jail terms she withstood the torture and constant pressure by the Gestapo, before transported to the concentration camp at Daache where she was shot dead after a long night of torture and molestation.

As a spy and operator, she was active only for over three months period. What made her different is her determination to stay focussed and her inner belief in her ability to hold on, while most other prisoners broke down and confessed. Despite her initial vulnerability and her fragility, she proved to the world what she is capable. Both British and French Governments recognised her contribution to the cause and have awarded her the highest military honours : The George Cross ( UK ) , and the Croix de Guerre ( France ). A very shy and family person who was very close to her brother, it was not very clear what prompted her to attend the selection process and join the SOE.

For me this book gave glimpses of the secret agent operatiives and the methods during the World War and some of the unsung heroes of the time. There are elements of suspense and thriller and the final pages are read like a fast page turner. As the introduction clarifies, "Noor was an unlikely spy. She was no Mata Hari. Instead she was dreamy, beautiful and gentle, a writer of children's short stories. She was not a crack shot, not endowed with great physical skill and a far cry from any spy novel prototype "

It is not easy to write about some one who is as elusive as Noor Inayat. She hasnt left many marks and there aren't many details available apart from what is available.She had very few friends and was reclusive most of the time. Considering all that, Shrabani Basu has done a lot of work to get the book into a near complete story of Noor, to her credit. The book is easy to read as a fiction and is chronologically arranged typical to a biography ( family background, her birth and childhood, upbringing and the early years of her life). Good attempt to bring light to a mystical and mysterious Indian princess who actively participated in the world war II.
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Spy Process : the Life of Noor Inayat Khan ( 2006 )

Shrabani Basu

Roli Books - Lotus Collection

234 Pages

Rs 395
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Other Reviews : Sawnet Review , BBC Gallery, Wiki Entry

Saturday, October 15, 2011

The Helmet of Horror - Victor Pelevin

"I shall construct a labyrinth in which I can lose myself together with anyone who tries to find me - who said this and about what?" , Ariadne starts the thread in an internet chat room. The eventful journey through the labyrinth of internet chat room, of virtual reality experiences, of physical phenomenon and psychological labyrinth of existence, thus begin. Each of them ( 8 to 9 of them with typical wacky names) find themselves locked in an identical looking room with a similar computer screen and keyboard , dressed in similar ancient Greek tunic. None of them sure of how they reached this place. While they all are aware of their existence in the virtual media through their own handle (avatar) the rest are as obscure and oblivious to the outer world.

The build up of the chat conversation is through the dreamy or hallucinating experiences of the participants during the 24 hrs. They find themselves being remotely controlled by an unknown, the keystrokes take shapes to words and sentences as if they are pre-determined ( the swear words and personal information are automatically censored and replaced with xx) . The experiences are fabricated ( or so it seems) and fed to their world. The world of virtual and real often smudged and it is difficult to understand what is real and what is the creation of their mind. Each of them goes through their personal experiences in their captivity and tries to find a meaning with the help of their comrades in the chat room. Each of them brings about their own personal labyrinth and shares with the rest to find their way out, witnesses extra ordinary creatures and humans such as gigantic figures and dwarfs who appear in various forms to each. Some see them in their dream, some see them in the labyrinth outside their room for someone it is in the form of a maze in the windows screen saver. Some hear their voices, some experiences their power.
The reference to the Minotaur comes up and they are in the labyrinth of Minotaur. All they are waiting for is the Theseus to rescue them. Are they being manipulated to believe this. Are they the product of their own created labyrinth ? Who is controlling their view, their thoughts and their existence here? Is the culprit ( and the savior) among them ?

Published by Canongate, as part of their myth series, Victor Pelevin, one of the prominent new voices from Russia,merges the myth of Minotaur and Theseus into the modern day internet settings. Theseus had the help of the princess to get back safely through the labyrinth after his triumph over Minotaur. Pelevin hints at the need of a new Theseus, to get them out of the hold of Minotaur and navigate safely through the labyrinth.

Entirely told through internet chat transcript, Victor Pelevin attempts to bring out the self made labyrinth of the individual, where the hapless individual tries to find his way out. He creates the eery environment with ease and manages to retain the suspense and the perceived terror through out. The concept and build ahead of the "Helmet of Horror' is interesting and a bit confusing ( the helmet of horror is in no way the one thing that is, it is also one of the multitude of things that are not) , but it may be a regular affair to a science fiction reader.
Writing is tricky and too clever. He bring too many things together with too many jargons. he brings references to holy church, the cryptic messages to be decoded, little bit of romance running along side and many uses of symbols. The attempts is brave and is something new but I felt it was too ambitious and clever to my comfort.

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The Helmet of Horror ( 2006 )

Victor Pelevin ( translated from Russian by Andrew Bromfield 2006)

Canongate Books

274 Pages
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Other Reviews : Guardian , Complete Review

Sunday, October 09, 2011

Kafka on the Shore - Haruki Murakami

"On my fifteenth birthday, I'll run away from home, journey to a far-off town, and live in a corner of a small library. It sounds a little like a fairy tale. But it's no fairy tale, believe me"..

Karuki Murakami's name has been put forward by many enthusiast as one of the potential Nobel candidate in the near future. After his runaway success with the translation of Wind up Chronicle and the rest, there are many who have fallen for his style of writing. The recent release of his magnum opus 1Q04 ( English translation is expected any time), his popularity among serious readers have gone up dramatically. I have been holding on to this book for over 3 years and have decided to pick it up for reading during the 'nobel speculation'.

First things first,I'm not a great fan of huge books. While I appreciate his style and writing, my comments about this book is rather reserved. I am not as blown away as some of my friends are over this book. Midway through the journey I even felt bored and thought of hanging up. More over the book to be resembled more European than Japanese to me. Which also signifies the shift in the modern writing in the Easter Part of the world.

The novel is about a 15 year old boy running away from home leaving his sculpture father behind. He escapes to a remote corner of the country taking refuge in a private owned library working there in part time. There is a parallel thread which is to merge ( or come close) towards the end talks about an old man suffered irreparable damage ( to his memory ) during an incident post the WW2. After a long time spend in hospital post a mass hypnotic effect ( as we read through the X-Files of US military intelligence), he looses his power of comprehension and gains the knowledge of the languages of the cats. After working in a carpenters for 30 years, he is now retired and living on the grand provided by the district governor. The story of the boy Kafka Tamura as he identify himself, goes through his life in the library where he befriends Oshima , a 21 year old transgender who is the keeper of the library and who assist Kafka to settle and hide from the world. A magestic lady who presumably the owner of the place called Miss Saeki, with a mysterious present and past - as a singer pianist who had a sold out album with a smash hit titled Kafka on the Shore. And Kafka's one night friendship with Sakura a 21 year old beautician,who helps him during his troubled time.

Nakata spent his time locating and retrieving lost cats for the neighborhood houses using his ability to speak to cats. The meagre amount of 'thanks giving' money he keeps for himself. It is in one of such sojourn he bump into Johnnie Walker ( yes, with hat and stick) who kills cats and eat their soul. To protect the cat he has to secure and return, Nakata had to kill Johnnie walker in his den. His admission of guilt at the local police station and the prediction of a 'rain of fishes' was not taken seriously. He embark upon a long journey , not knowing where and how, by hitch hiking across the highway.

In the meanwhile the murder of the famous sculpture Tamura by stab wounds are out. Its all over the news. The only clue police had the mysterious man claiming to have killed him and that his 15 year old son had ran away from home a day before. Nakata continue his journey as he felt and asking the driver to help him cross the huge bridge where he need to get the "entrance stone". Nakata's life has a meaning now and he need to execute what is written for him to perform. With the help of his new found man friday ( truck driver Hoshino) , he set about getting access to the 'Entrance stone' and the library where he meet Miss Saeki as scripted. Soon both Miss Saeki and Nakata leave this world, leaving the rest perplexed ( and us the readers). Further continuing the riddled narration Murakami takes us to the shore with a rather obvious ending.

The book evolves around the riddles and Murakami is not trying to find the answer for you. He keeps us guessing ( the obvious) without revealing it clearly, letting the reader to his own conclusions. Is Miss Saeki his real mother ? Is Sakura his sister ? Is the sculpture his biological father ? there are no answers ? What is Nakata's role in this ? Is he fulfilling what the destiny asked him to do ? Why was the truck driver Hoshino part of the plot and what was he trying to find for himself ? That also brings an interesting observation about this book. It is these peripheral characters that makes it interesting to read. It is they which adds color and content to the story. Miss Saeki , The truck driver Hoshino, the transgender Oshima are the ones that make this an interesting read.

There are cats talking to people and among themselves , the text is intermixed and often take the surreal path. There are souls of living people wandering at night even making love, there is johnnie walker and Sanderos of KFC ( works as a pimp as well as a guide in finding out the entrance stone), You also find the boys alter ego called "The boy called Crow" talking to himself ( Kafka means Crow in Czech language, apparently). Its a quagmire of images and concepts and Murakami is trying put all that into one place. It is confusing at first and intriguing as you read through. But the whole puzzle falls in place as you continue reading. In the end, I guess you will be rewarded for your patience, albeit the puzzle is not solved entirely for you. Murakami puts it as "Kafka on the Shore contains several riddles, but there aren't any solutions provided. Instead, several of these riddles combine, and through their interaction, the possibility of a solution takes shape. And the form this solution takes will be different for each reader."

The book is a fast page turner and I had a rather fast read of a 600+ page book. I still find it a little too long with a lot of dragging pages. While this is a prelude to reading 1Q04 ( I am not likely to go for any of his other books judging by this read), and a good introduction to his writing. Not a bad read, but not exceptional as I was made to believe.

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Kafka on the Shore ( 2003)

Haruki Murakami ( translated from Japanese by Philip Gabriel 2005)

Vintage Books

615 Pages
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Other Reviews : Wikipedia, Contemporary Literature, NY Times, Guardian, Newyorker, Complete Review

Friday, September 30, 2011

The Tunnel - Ernesto Sabato

Ernesto Sabato, one of the masters of 20th century  Latin American Literature died last April, two months ahead of his 100th birth day. The tunnel, originally published in 1948, has been heralded as one of the pioneer in the existentialist novels. This is my first reading of Ernesto Sabato and I am still under its spell.

Juan Pablo Castel, a modernist painter, killed his only friend in the world, Maria Iribane, whom he loved and longed. From his cell, he recalls his days of love and the events that followed until the murder.

It would be sufficient to say that I am Juan Pablo Castel, the painter who killed Maria Iribane. ..... You may wonder what has motivated me to write this account of my crime, and why I want to publish it..
He gives no specific reason, " I want to tell the story of my crime: that and nothing more."

The met, or more accurate to say, he saw her in one of his painting exhibition. According to him, she was the only one who recognised or understood his painting. The accidental meeting later the week made him follow her to the building she worked or came to do some errand in the neighborhood.  The attraction turned mutual and on his part, it has become obsessive. Obsession changes him. He grew possessive and suspicious at the same time. He cant live without her presence near, despite knowing she is married to a blind man and she most likely have another lover in the country side. Maria on her part plays along exhibiting similar traits and wanting to suffer from his hand until she was murdered at the hand of Castel.

Castel is a compelling character, though he is not one you will want to be familiar with. He thinks in the probability theory on every aspect of their relationship. He substantiate his thoughts with his own theory and try to extract responses and behaviour from her that conforms his theory. Under suspicion, every thing she does is looked through microscopic scrutiny and the negative thought developed over and over makes him nervous and tormented. He wants to escape this path and goes back to his own, but  continued to be pulled back. Even when they are together, he is not able to have normal conversation and he fails to express himself to her despite his best effort . He confront himself and her, trying to figure out all the possible reasons of her actions and the possible options that exists for him , trying to analyse them logically. Each move from him is one of the possible outcome, which may not seems convincing to the rest of the world,  including his conviction of killing her.

Not surprisingly ( well, thinking about it now) this book was praised by Albert Camus and Graham Greene. Critics says, this book also reflects the isolation of an urban Argentine youth and explores the irrationality and dark side of the modern metropolis. You may also want to read this as a political novel as Argentina at that time was under the rule of  Peron. It is intersting to note that Sabato was the chairman of the commission that investigated the murders committed during the dictatorship ( which of course was much later in 1984).

The language is impeccable. Short and controlled sentences. Clear in communicating and displaying the emotion they convey. It is also non pretentious and surprisingly narrator is calm and collected in his thoughts. He conclude saying "There was one person who could have understood me. But she was the person I killed".

Brilliant novel, I am sure will have to read a couple of more times to fully appreciate this.
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The Tunnel ( 1948)

Ernesto Sabato ( translated from Spanish by Margaret Sayers Peden 1988 )

Penguin Classic

140 Pages
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Further read : Guardian 1, Guardian 2, independent , Wiki

Saturday, September 24, 2011

Day - A L Kennedy

Working as an extra in a war movie, being shot in Germany post the World War II, Alfred Day trying hard to get back to the mainstream life which seem to be alien to him. His life as he recounts in bits and pieces isn't been one that he would look back with happiness. Early days of life with his alcoholic father physically and mentally abuses his mother bore the memories of his troubled childhood. It is to escape this situation at home, he decided to join the RAF during the war. He volunteered to be part of the Airforce and was happy to take the position of a tail-gunner.

He camaraderie with his bomber mates were to compensate for all that was missing at home. Even that seems to be short lived after a crash and him being detained as PoW. His accidental meeting and the love that budded with joyce, a married woman whose husband apparently missing in action in the east somewhere, is the only colour in his life, which he again looses on his return post the war.

Unable to find himself in the society, he find himself a job as an extra in a movie. Its here again, he find himself alone. Effort to be in connection with fellow artists ( a Ukrainian wanting to migrate to UK) also ended up in bitter physical fight.

A L Kennedy is able to recreate the sentiments and the after effects of war on individual. Dark and gloomy and often hopeless plight of individuals are brought out pretty well.It is only at the PoW camp ( even if it is a mock set up for a movie ) he find his place. Day is a internalised , non socialising , tormented man and the style and structure of her writing depicts the exact nature of her protagonist.

Her style is not easy to cope with. Its extremely demanding and require utmost concentration. In that way, the reading wasn't very pleasant. It moves from first person narrative to second person ( you, type) and the third person in the same paragraph/page. The writing is abstract and stingy. Once you get over these obstructions, the book is pretty good and intelligent.
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Day ( 2007 )

A L Kennedy

Vintage Books

280 Pages
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Other Reviews : Independent , Guardian , NY Magazine

Saturday, September 17, 2011

The Ancient Garden - Hwang Sok-Yong

If you were shut in a cell for nearly two decades in the 80s and 90s, the years that saw huge shifts in the economical, technological and political scenes of the world, you will be bewildered by what you witness in the world. Oh Hyun Woo, a political prisoner, sentenced for life was released after 18 years of prison life is struggling to cope with the changes as he was released out of prison in the new millenium. He realises that the situation now is different, and what he and his friends fought for and sacrificed their youth and their life has no meaning in the changed time. Nothing new to look forward to and age at the wrong side of him, all he has is the old memories of love and friendship. But the only memory that remain fondly despite the gruelling years in jail, of meeting his love of life, which he soon realises, is no more. Yoon Hee, his love ( an affair lasted mere six month but remained forever) has died three year ago succumbs to cancer.

Broken and tormented, Hyun Woo, recedes to the small house in Kalmoe, where he and Yoon Hee spend the time during his hiding, leaving him with fond memories of rare happiness. He relives his life during those troubled times through the notes she left for him, through her diaries and the paintings. He rebuilds the life, trying to find a meaning for those days of revolutionary, and of his life in general.
"Here in Kalmae, as I've met the remains of Yoon Hee, I have found a partner, I can exist concretely through her. What was locked up in solitary confinement was not Oh Hyun Woo, but number 1444..Now I am returning to the world outside through my partner."

Written at the backdrops of the Kwangju ( or Gwangju ) civil demonstrations, which was brutally crushed by the military government of Chun Doo-hwan, Wiki says, In May 1980, civil demonstrations took place in Gwangju against the newly installed military government of Chun Doo-hwan resulting in hundreds of civilians being killed by the Korean Military. The demonstrations were suppressed by military forces, including elite units of the Special Operations Command. Most commentators agree that the suppression was characterized by its egregious brutality, including several incidents where military forces fired automatic weapons into crowds of unarmed demonstrators. Gwangju is sometimes called "the shrine of Korean democracy" because of this incident, which is known today as the Gwangju Democratization Movement. After civilian rule was reinstated, a national cemetery was established honoring the victims of the incident.

Hwang Sok-Yong recalls those days through the tale of a love and sacrifice. Hyun Woo and his friends are on the run fearing arrest and torture. As in the case of every revolutionary movement, there are underground operations, the propaganda work, the arrests and torture leading to more revelations and more arrests. The strength of ideology and will power of the youth continue to create ripples in the society and causes trouble to the government, until every one them are arrested and put behind bars. Hyun Woo, suggested as the king pin by the authorities manage to avoid arrest for a longer time, eventually falling into their hand. The days of torture and interrogation saw him sentenced to solitary confinement which continued for over 18 years. Looking back he says, "We knew we would fail, but we believed that the truth would be revealed, even if it took a long time, and we believed in a future where the world would be transformed into a righteous place"

Yoon Hee, an art teacher who is entrusted with the task of proving shelter for the fleeing Hyun Woo, find herself attracted to the man under her protection. Their love is recreated through the letters and other pages she wrote, and left behind for him, once diagnosed with illness.She even rebuilds the house as it was during those days anticipating his return, to its precise details. It is through these writings and the reminiscence that triggers in Hyun-Woo that brings the picture of the story in flash backs. Yoon Hee continue to sympathise with the movement post the arrest of her lover, by helping the others while studying and teaching paintings in Seoul, without being an activist.
The narration shifts between periods and locations as deemed fit, from the revolutionary days of Hyun Woo as an activist, to the notes and diaries of Yoon Hee, the solitary prison days of Hyun Woo, the present day after his release and the days spent at Kalmae in company of each other. I thought the writing of Hwang Sok-Yong wre at its best in these pages, until I think the narration fizzles out and loose some of its steam.
In the later part of the book, Yoon Hee spends a lot of time in Berlin pursuing her studies in art. It was during the decisive years of changes that shook eastern Europe. It was during this time, the changes of political thoughts and and direction to the obsessive left enthusiasts across the globe. These changes reflected in the thoughts of the erstwhile students and workers agitation leaders as well as Yoon Hee. What is interesting is the hidden parallel the author draws between the fall of the Berlin wall and the unification of Germany to the Korean Peninsula. Closely observing the behaviour of the erstwhile East Germans, who come over to the West to experience the new world, with the 'stipend' they receive at the border. In a similar way, Yoon Hee and her friend entertain a North Korean student strayed ( against the permission the North Korean Authorities imposes on him) into West Berlin and host him for a couple of days and helps him to return safely.
Hwang Sok-Yong's political thoughts and sympathies are obvious through out the novel. He was arrested and sentenced for alleged visit to North Korea in the 90s. In that sense, this is a strong political novel, where the intensity drops down ( as in the real case in South Korea) towards the end period. By then Korea has ousted the military Dictators and have progressed economically in a very significant way. The changes in the world political system is reflected in the thoughts of the Koreans as well so is in the novel.
Hwang Sok-yong also wrote for the theater, and several members of a company were killed while performing one of his plays during the 1980 Kwangju uprising. During this time Hwang Sok-yong went from being a politically committed writer revered by students and intellectuals, to participating directly in the struggle. As he says: “ I fought Park Chung-hee’s dictatorship. I worked in the factories and farms of Cholla, and I took part in the movements of the masses throughout the country . . . in 1980, I took part in the Kwangju uprising. I improvised plays, wrote pamphlets and songs, coordinated a group of writers against the dictatorship, and started a clandestine radio station called “The voice of free Kwangju"

While there book announces itself as a love story, it examines sympathetically the students and workers movement giving it a legitimate voice. Hwang Sok-Yong is a brilliant writer and it is visible in this book. However, this books drags too much towards the end, drifting from the main theme loosing the continuity. It also charts the often drafted paths of melodrama with the daughter and re-union ( he handled them beautifully though) which is too much of a comfort to me. Otherwise it was a good read in spite of the old fashioned style of narrative ( even though it is written in 2009) through flash backs.
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The Ancient Garden ( 2009 )

Hwang Sok-Yong ( translated from Korean by Jay Oh 2009)

Picador

543 Pages
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More read : NY Times, Korean Herald , London Korean Link, Korean Society ( film review)

Saturday, September 03, 2011

Koruvanathile Poothangal - Prakasan Madikkai

What I observe in the new  Malayalam writing, is their new found love for myths, history and the language, mixing the contemporary issues. Be its politics or socio-economical changes, the creation of the atmosphere often goes through these fundamental elements. This is an interesting trend, taking us back to the style of 60s and 70s before the arrival of post modern stuff.

Mixing myth, history, folklore,cultural rituals and local beliefs with reality Prakasan builds an engaging tale of destruction to the eco systems and to the society with the arrival of the quarry in the village. The quarry is the living place for most of the dginns or the dead souls.  They live their peaceful existence mingled with the local beliefs.  With the arrival of the quarry, they were evicted from there by the powerful exorcist Arjuthan who managed to contain them in a pot and sealed and buried them deep under. With this , the quarry started their operations and according to the local Communist LEader and member of the Panchayat, came labour to the large number of the villagers. However, this was only the beginning of the worse.  The political lobby would want to start a theme park in the village, adjoining the river and the small island. The balanced ecosystem of the villagers , the nature and the numerous elements of supernatural power thus breaks. Every break in the system does destroy the place and the ill-fate befall the village, which witnesses unusual deaths of his various inhabitants.

Prakasan's novel is a political as well. Without getting into the political debates, he manages to sketch the changing face of politics, from the all enduring humanist communist to one being manipulated by the rich, and later itself become the rich by means of its business interests. It is the same with religion.

Language, especially its control on the narration is one that makes this a different reading. Language with its local fragrance and simplicity can be an extremely powerful tool. It removes the elements of forced writings and build in the reality. The expressions are shorter and crisp. They do not need explanation ( may be translation in certain cases).

The village Noonjiyur, is the typical hill side village in the north Kerala. It has its own variety of "Theyyams" and the legend associated with each. Yatheesan, the youngster, who is supposed to be playing the " Chamundi Theyyam" at the Temple. But the previous night visit to the local prostitute and the alcohol gets him out of control and  in the end looses his right to be a theyyam. Its the hunter Ratnakaran, who comes to his rescue. However, Ratnakaran who with his double barrel gun and cruel mannerisms scared the locals, died when a wild boar lost its senses and ran all over him. Similar fates awaits lot more characters. The Quarry owner Kurian, local secretary of Communist Party, the theyyam artist Kotharmman, Comrade Kumaran, The local exorcist and witch doctor Arjuthan, Pokkan who send law suits to al of the village on various reasons,  the carpenter Ambookkan, the madman Cherooli Raman, the Temple oracle Kandan etc are some of the many active and interesting characters that you meet in the tale. This mosaic style of characterisations  forms the overall picture of the village. Because of this, the tale looses a central character around which the story move and that is one huge reason for its not becoming a full length novel, from its current length.

It is interesting to see Magical realism still has takers. While the story line is not the strength of this novel, and the canvas itself is short, Prakasan overcome these deficiencies through his brilliant use of language and the construct. With the coexistence of history , myths and rituals , he creates a a world of fantasy often making it difficult to differentiate the real from the imagery. While magical realism might be out of fashion in the literary world, it still has its effects here in this short novel.

Winner of the 2010 Green Books award, this book is heralded as one of the new voices in Malayalam Literary scene. Prakasan Madikkai, indeed has a strong voice and a style that is powerful as well as effective in getting his points across. The book is short and the story line per se is not great. What he did is to create a effect with sublime use of his resources. Very good effort by this debutante.
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Koruvanathile Poothangal ( 2010)

Prakasan madikkai

Green Books

111 Pages

Rs 80
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Wednesday, August 31, 2011

The Five Dysfunctions of a Team - Patrick Lencioni

Success of any Team has many ingredients. What differentiate a great team and a bad team is the lack of many of these fundamentals. Every successful team has its own uniqueness that stand them apart from the rest. There are innumerable books on the leaders of successful team or organisations. Despite of these uniqueness, there are few common factors that is essential to the success of a team. Lack of these fundamentals can be attributed to the failure of team, however great the individuals of the team are. Patrick Lencioni, in his celebrated book, discusses these dysfunctions of every unsuccessful team.
According to him , the five dysfunctions are :

Absence of Trust — unwilling to be vulnerable within the group
Fear of Conflict — seeking artificial harmony over constructive passionate debate
Lack of Commitment — feigning buy-in for group decisions creates ambiguity throughout the organization
Avoidance of Accountability — ducking the responsibility to call peers on counterproductive behavior sets low standards
Inattention to Results — focusing on personal success, status and ego before team success

Book consists of two parts. Part one, written in a parable style, looks at the proceedings at a Silicon Valley startup, currently struggling, despite some great individuals at the helm. Generally young, tech savvy leadership team is put under a newly appointed 55 year old, lady CEO, from the typical old school back ground. In her attempt to re-build the team , she exposes the short comings of the team in her initial off-site meeting of her leadership team. The next few chapters examines these dysfunctions among the team and set to address them by her own ways and style. They go through anger, frustration, despise, fear, rejection and various other emotions. The team goes through the inner turmoil , doing their own introspection, getting their act together during the next couple of leadership meetings. They also go through removal of certain leaders, and the often heard restructuring before, as it always end, in bringing back to the path to success.

The initial part is written like a fiction, with all those twists and turns, the anxiety, the deception and suspense. Most of the chapters are in the form of meeting room discussions, and conversations. it is in this part, he introduces the concept of five dysfunctions. But, the part 2 of the book gets into the serious discussion. There are no stories here. In a typical text book manner, he examines each of these dysfunctions at length, their pros and cons, the symptoms and the recommendations to overcome them in a more practical and actionable terms. Very crisp and concise, this part is the creame of the book.

Typical to any management , self development books, this too does not provide you with any new insights. You go through the familiar "I know this already" feeling. However, the second part makes the difference. Personally, I found this book pretty good and presented neat, despite the 'novel' approach in the part one. This is a good read for any first or second line managers, who lead complex teams.
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Times Group

229 Pages
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Other links: Wiki, Table Group

Saturday, August 27, 2011

Arresting God in Kathmandu - Samrat Upadhyay

Samrat Upadhyay, is the first Nepali author who had written and published his works in English. Currently working in US, most of his stories in this collections are on the middle-upper class life in and around Kathmandu. Most of them revolve around the changing world and changing values of the society and the families.There are no generation conflicts, but there are the difficulties of the individuals in the changing world where the find themselves alienated from the world and from their own people.

Most of the stories depicts the troubles and unhappiness in the families. The rebellion within the family , unhappy over the orthodox family values pushed on the generation. Hence, all the stories revolve around adultery, relationship outside wedlock, the new found sexual liberation and freedom, illicit affairs, and unwanted pregnancy. While these form the thread on the chain, its the resulting issues that affects the family that is in discussion here. Except one, "The Cooking Poet", rest all appears to be moving along this line.
Samrat has a knack of starting the stories with a bang. "The trouble bagan for Deepak misra when he kissed his unattractive secretary in the office ( Deepak misra's Secretary), Get him married, Rudra said, once he has a wife, he will come to his senses" ( The limping bride), "The man wih long hair appeared around the street corner, his self confident apparent even from a distance" ( The man with Long hair) etc started with enough curiosity.

The Cooking Poet, which stand out from the rest talked about a young poet with extraordinary talent, seeking blessing from the old guard, an established and well sought after poet during his early days of career. Realising the huge potential bordering jealousy, the old man promote the talent to the larger world, only to realise his involvement in the revolutionary movements. In "The Limping Bride" talks about a fathers dilemma with his drunkard son. He fights his own hidden desires ( after the death of his wife) resurface with the arrival of the bride, along with his efforts to get his son accept the girl as his life partner. The room Next door talk about a families hide the illicit pregnancy of their college going daughter and to save their image in the society get her married to a worker in their house. Deepak Misra's Secretary, is a tale of a Nepali businessman's troubled marriage with an American wife. 'This world' looks at the new generation, US educated Nepali youths with their life and multiple affairs and

Arresting God in Kathmandu is a catchy title; however there are no stories that carry this name. The only reason I could attribute for this header ( I dont see any other reference to it elsewhere), is the omnipresence of Gods in the life of Nepal with its numerous temples ( the famous Pasupathinath Temple including) in and around Kathmandu. God, is an eternal presence in the life and so is in the stories.

Having said that, there are no stories that worth a second read in this series. Nor am I going to start my verbose on this book to my friends and insist they read this. While it is interesting and good to see writings emerge from Nepal, this leaves me rather disappointed for its lack of style, substance and language. Apart from few superfluous family story of sexual, matrimonial troubles, it does not reflect the larger issues of Nepali society. A mediocre effort.
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Rupa & Co

191 Pages

Rs 250
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Other reviews : Book Reporter , Blesok

Saturday, August 20, 2011

Zero Degree - Charu Nivedita

Originally published in 1998, the book caused a stir in the Tamil Literary scene for its non-linear narrative and the brutal and explosive description of violence, torture and sex. It was beyond what the conservative society could take. Experimental novel with narrative technique moving between traditional styled story telling to poems, to plain single lined comments, monologues, telephone conversations and what not... The publishers blurb announces this as transgressive fiction, the book was a huge success in Tamil and in Malayalam, to which it was translated almost immediately.

The new age literature, I have observed, has taken up new ways of communication with the readers. From the time tested, traditional styles of 20th century, we see the use of latest jargons in the market place appearing in abundance in the books of young writers books in the new century. I am yet to see a facebook or twitter reference in the main stay literature, but the e-mails, blog entries, the internet uploads and cellphone transcripts have become common. This book , with its current shock value, might not be as shocking in next few decades, as the same is not a new concept in the literature of the world.

Charu Nivedia, while speaking to some of us, while he was in Bangalore , was mentioning using at least six styles of Tamil in his original. Intellectual urban Tamil to the slum dwellers brash use of language. However, understandably, it would be difficult to get that effect in a translation. There is no elitist use of language here. It is plain and non-baroque. Its often incomplete and abandoned. Seldom, he gets into story narration. Its a collage of various images.

Is this really a novel, or merely a bunch of notes thrown together into a book?” , the narrator himself ask at the beginning of the book. "There’s been a mistake. The chapters have become shuffled. I might have had some ulterior motive". This is a book about literature. The unnamed narrator ( or sometime named as Charu Nivedita), refers to the texts written by someone called Muniyandi and that of a Misra. He himself modifies some of the writing and fills in the gaps wherever essential. The characters are not special, and there are no heroes. The novel ( if we can call that) itself as he claims a mixture of three writings. Its an experimental novel and the effort is in creating a deliberate stir with the readers and in that he succeeded. However, we can see a fantastic writer in those chapters where he move away from his experiment and gets to story telling.

This is a work of an intelligent writer. Some one who do want to create a stir. There is no linear story line. There is no real story to say, apart from various tales loosely held. The intention was not that of telling a story. It is to create a new way of writing, new way of communicating. Whatever was considered a taboo in the society ( to talk publicly and openly), but was past of the daily life,

What is appreciable is the effort in translation. I am usually wary about English translations from an Indian Language. This was a welcome change, with certain limitations ( like the local idioms ) not withstanding. Reading this has been a roller coaster ride often trash, often curious, often mediocre and brilliant at many places. Very interesting and path breaking novel.
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Zero Degree ( 1998)

Charu Nivedita ( Translated form tamil by Pritham K Chakravarthy & Rakesh Khanna 2008 )

Blaft Publications

239 Pags

Rs 315
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Tuesday, August 16, 2011

The President - Miguel Angel Asturias

"Death has always been my true ally , Miguel !"

Ryzsard Kapucinsky says in his "Soccer war" that it takes only 100 armed men along with you, to capture the power of the state in many of the countries in Africa, Latin America and some parts of Asia. It is that easy to be the leader of the nation and it needs another 100 and a leader to throw you out. Hence, the moment you are on the seat, your effort is to remain there as long as possible. One of the best way is to successfully eliminate not your enemies, but anyone who is a potential threat to you, and mostly your own comrades.

In one of the discussions after reading "I, the Supreme", some of us where discussing the great 'dictator novels' emerged from Latin America in the 60s. This article written by the great Mexican writer Carlos Fuentes ( review of I the Supreme), he talk about dozen writers choosing to writer about dictators ruled their respective country. In one such discussion came up the name of "The President" and ever since, I was trying to get a copy. The President is considered to be one of the first in this genre ( first Dictator novel was Valle Inclan's satirical book, Tirano Banderas, published in 1917) which soon received international acclaim for the author, who later went on to win the Nobel Prize for Literature.

Colonel Jose Parrales Sonriente, known as "the man with the little muse", was murdered on the steps of a Cathedral. There begins the story of more killings, escapades ,accusations and plotting. The head of Judiciary is given the charge of investigating. The president, plotting behind the scene, gets his trusted ally Miguel Angel Face, to inform the head of army General Conales to escape from the country as the arms of investigations are turning in his direction. Angel Face, with the help of two assistants, makes the scene and arrange for the escape of the General ( who is yet to recover from the shock of being accused) and leave his young daughter in his custody to be safely taken to her uncle's house.

"Whether you're guilty or innocent is irrelevant, General; what matters is whether you're in favour or not with the President; it's worse to be an innocent man frowned on by the Government that a guilty one"
Fallen for her beauty, Angel Face had other intentions. The news spread of his defection and him being the enemy of the state. The girl now had no takers as every one wanted to stay away from traitor's family. The girl was now under the custody of Angel Face and had taken ill to a level of loosing her life.The arrests and torture continued with more and more assistants of Angel Face and their lovers were arrested and the ladies were sold in the flesh market. The statements were manipulated and the confessions were extracted framing people of higher orders. The love story was moving to the next level with the marriage of Angel Face with the general's daughter. The president had other things in mind. Officially celebrating the wedding with the blessings from the president, Angel Face was offered a role in the United States to build up the image of the country. The journey was his last as he was arrested en route.

While this looks a simple and typical narrative of every dictator novel , with ingredients like murder, spying, kidnap, torture, framing and plotting resulting in even gruesome murders. This makes the book different is in its treating the psychological results on the victims. Asturias, who started writing this in his 20s while he was still a law student. The book came into light much later and was a sensation in the literary world.

The totalitarian regime, with a ruthless dictator, scheming and plotting to stay on power is not named, but is identified as his own country Guatemala. The official machinery is on roll to eliminate the enemies of the state.

"Ungrateful beasts!" He added under his breath. "I loved and shall always love Parrales Sonriente; I was going to have made him general, because he trampled on my country men and humiliated them, and if it hadn't been for my mother he would have finished them off altogether and avenged me for all the grudges I bear against them, things I alone know about. Now that people are plotting against my life on all sides, my friends are deserting me, my enemies increasing and - no , no ! Not a stone be left standing .."
Like every dictator, he too need to show the world that his country is a democracy and he is democratically elected president. We have umpteen examples of this in the recent history across the world. Mock election, with the current ruler winning with 99% majority.

That the welfare of the Republic depends upon the RE-ELECTION OF OUR ILLUSTIOUS MANDATORY AND ON NOTHING ELSE BUT HIS RE_ELECTION ! Why hazard the ship of State in unknown waters, when we have at its head at present the most accomplished Statesman of our day, whom History will salute as a Great man among Great men, a Wise man among wise, a Liberal, a Thinker and a Democrat ?? Even to imagine any other than Him in this high office amounts to an attempt upon the Destiny of the Nation ( which is our own destiny); and whoever dares to do so - if any such there be - deserves to be shut up as a dangerous lunatic, or if he is not mad, tried as a traitor to his country according to the law !! FELLO CITIZENS, THE BALLOT-BOXES ARE WAITING!!! VOTE !!! FOR !!! OUR !!! CANDIDATE !!! WHO !!! WILL !!! BE !!! RE-ELECTED !!! BY !!! THE !!! PEOPLE !!!
The way the narration is to establish the living under the dictatorship and how individuals are succumbed to the system and forced to behave in a way against their own conscience. He uses the subtle language and uses dream sequences, monologues, conversations between commoners etc to bring about the physical and psychological changes the regime can bring on individuals and the society as a whole. This book may not be as comprehensive or complete as Bastos' or Llosa's novel. That could also may be due to the time it was written ( in early 20s) and published ( 1946 in Mexico). Asturias has to deploy tools of different kind during its writing. There is no direct terror , there is no omnipresent danger hidden through the narrative. But there is always the presence of uncertainties and watchfulness. The game is constantly shifting, taking sides. Asturias uses dream sequences very effectively through out the book.

"and according to instructions received,...... This is all I have the honour to impart to the President..."
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Miguel Angel Asturias ( Translated from Spanish by Frances Partridge )


287 Pages
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More read: Wiki Article,

Saturday, August 06, 2011

Imperium - Ryszard Kapuściński

"They made me a Stalinist, but they never made me a communist....if they would only let me live normally for a while now".

The difference between Western European Colonialism which collapsed in the first half of 20th Century and the Eastern European Colonialism ( which collapsed in the last decade of the 20th century) is interesting in comparison. Early colonialism was for territorial control and for the resources, the later was more ideological in nature. After the world war, the decolonization of the Western powers were rapid, and they were all over the world. In the disintegration of the Communist countries were sudden and the repercussion were very different from the earlier one. The once mighty USSR, disintegrated into 15 independent states ( CIS) did trigger birth of whole many new nations in the adjoining territory with the 7 way split of Yugoslavia and the division of Czech and Slovakia. The turmoil is not ceases yet, though it is less to be in the news and discussion.

Ryszard Kapuściński, one of the prominent traveller and journalist from Poland, writes about this country during the period of 1898- 1991. To be precisely, after the fall of German wall and through the separation of Soviet Union into 15 states. Typical to his style, the book reads like a fiction in style and narration, but carry his keep observation and insight to the subject he is set to write.

The book is set into 3 parts. The initial 75 odd pages brings us to the reality of Communism and Soviet Union during its all enduring days. His own personal experience as a 7 year old boy in the remote Polish town, witnessing disappearance of his classmates and neighbors. Recounting those nights spent in terror expecting to be deported, he had the first encounter with the Imperium. the early part also has his travel through the erstwhile Central Asian Republics of Soviet union in the late 50s, through the tribal and political conflicts of the society. This set the book up for further reading where he takes his next expedition in 1990, witnessing the readying of the republics to be independent states and thriving to re-build their own identity which was under cover for over 70 years. His travel through the frozen Siberia, looking for those dreaded places where masses of dissidents and suspected civilians under the regime were deported and was living under sub human conditions under threat, torture, labour and hunger.

He quote Yurii Boriev in the book, who compared the history of USSR to a train in motion.

The train is speeding into a luminous future. Lenin is at the controls. Suddenly—stop, the tracks come to an end. Lenin calls on the people for additional, Saturday work, tracks are laid down, and the train move on. Now Stalin is driving it. Again the tracks end. Stalin orders half the conductors and passengers shot, and the rest he forces to lay down new tracks. The train starts again. Khrushchev replaces Stalin, and when the tracks come to an end, he orders that the ones over which the train has already passed be dismantled and laid down before the locomotive. Brezhnev takes Khrushchev's place. When the tracks end again, Brezhnev decides to pull down the window blinds and rock the cars in such a way that the passengers will think the train is still moving forward. (Yurri Boriev, Staliniad, 1990)

Kapuściński adds to that " And thus we come to the Epoch of the three funerals ( Brezhnev's, Andropov's and Chernenko's), during which the passengers of the train do not even have the illusion that they are going anywhere. But then, in April 1985, the train starts to move again. This is the last journey,however. it will last six and half years. This time Gorbachev is the engineer...."

It is his encounter with those otherwise insignificant individuals, you complete the picture of the life, history ( of those years) and culture of the territory.  He writes,

Nearing Krupska Street, we encounter an old woman outside a little house who is trying with the energetic strokes of a broom to halt the muddy deluge crawling onto the porch.

"Hard work," I say, to start a conversation.

"Ah," she replies, shrugging her shoulders, "spring is always terrible. Everything flows."

Silence falls.

"How's life?" I ask the most banal and idiotic question, just to keep the conversation going somehow.

The granny straightens up, leans her hands on the broom handle, looks at me, smiles even. "Kak zyviom?" she repeats thoughtfully, and then in a voice full of pride and determination and suffering and joy she offers in reply what is the crux of the Russian philosophy of life—"Dyshym!" (We breathe!)
It is not easy for the new states. Most of these republics were annexed to the Imperium, over a period of a century. Few by the Czars and many others by Stalin. While they inflicted the agenda and invaded culturally through Russian, at heart they remain those independent tribes. The often heard conflicts of geographical control ( Chechnya , Nagorno - Karabakh and other interstate issues) continue to be a nuisance. There is also expectations and the resulting disappointments of the people. The Problems related to the sudden found freedom and the resulting law and order situation continue to be an issue in most of the republics.

The book is not political, though Political issues do come in the purview, but mostly it is about people, the society under the regime through the people and his own experience. There are no biases nor it is judgmental but clear in thoughts and communication. This could be read as a journalistic reportage or as a travelogue. It is also a historical text for those who would like to see it so. Kapuściński is a marvellous writer. He is always in the thick of things. Be it inside the freezing, dark and gloomy coal mines of Siberia, or the troublesome Nagorno - Karabakh during the conflict or at the demonstration and siege at Kiev.

Even after twenty years, his observation and anxiety about the newly formed republic is interestingly accurate. Reading after twenty years of the events that unfolded, the book continue to remain relevant and accurate. His insights are result of these close observations and numerous conversations that are first person and not hearsay. That makes his books a different reading experience.

"One often regards it as a state like any other; this is not at all the case. Russia is a whole separate world"
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Imperium ( 1993 )

Ryszard Kapuściński ( translated from Polish by Klara Glowczewska 1994)

Granta Books

337 Pages

Rs 399
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Other Reads : Independent